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"I should very much like to go," says Mona, gently, and with some eagerness. She has been sitting very quietly with her hands before her, hardly hearing what is passing around her,—lost, buried in thought. She turns slowly, and finds her fellow-pedestrian is a young man clad in a suit of very impossible tweed: she blushes hotly, not because he is a young man, but because she has no hat on her head, having covered her somewhat riotous hair with a crimson silk handkerchief she had found in Geoffrey's room, just before starting. It covers her head completely, and is tied under the chin Connemara fashion, letting only a few little love-locks be seen, that roam across her forehead, in spite of all injunctions to the contrary. "In Sydney. In Paul Rodney's employ. In his very house.".

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"Yes, darling." Here and there a pack is discovered, so unexpectedly as to be doubly welcome. And sometimes a friendly native will tell him of some quiet corner where "his honor" will surely find some birds, "an be able in the evenin' to show raison for his blazin'." It is a somewhat wild life, but a pleasant one, and perhaps, on the whole, Mr. Rodney finds Ireland an agreeable take-in, and the inhabitants of it by no means as eccentric or as bloodthirsty as he has been led to believe. He has read innumerable works on the Irish peasantry, calculated to raise laughter in the breasts of those who claim the Emerald Isle as their own,—works written by people who have never seen Ireland, or, having seen it, have thought it a pity to destroy the glamour time has thrown over it, and so reduce it to commonplaceness. "You can hardly mean that?" says Mona, with some surprise. "I did get on to it, if you mean the laurel," says Nolly with calm dignity. "I climbed most manfully, and, beyond slipping all down the trunk of the tree twice, and severely barking my shins, I sustained no actual injury.".